Published by TODAY, Singapore’s second most-read newspaper, on 28th July 2016. Here is the online version.
August 14, 2016
Published by TODAY, Singapore’s second most-read newspaper, on 28th July 2016. Here is the online version.
August 9, 2016
Time is important to me.
I can look at you for eternity.
April 26, 2016
This is so good. So well written. So well delivered.
Posting here for posterity.
September 2, 2014
Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place, and cried incessantly: “I seek God! I seek God!” — As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated? — Thus they yelled and laughed.
The madman jumped into their midst and pierced them with his eyes. “Whither is God?” he cried; “I will tell you. We have killed him — you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying, as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet of the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him.
“How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us — for the sake of this deed he will belong to a higher history than all history hitherto.”
Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground, and it broke into pieces and went out. “I have come too early,” he said then; “my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than most distant stars — and yet they have done it themselves.
It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said always to have replied nothing but: “What after all are these churches now if they are not the tombs and sepulchers of God?”
July 9, 2014
What you think it means: Something that is funny.
What it really means: Contrary to what you are expecting.
This is a famous one because so many people get this wrong so often. It’s also kind of hard to explain, so we’ll use an example. The Titanic was boasted about as being 100% unsinkable and then in 1912 it was sunk anyway. That is what is called cosmic irony. When a starving vegetarian eats a pepperoni pizza, that is what is called situational irony. There are other kinds too, such as dramatic irony and Socratic irony. Believe it or not, sarcasm is actually irony. When you say something sarcastically, your tone and your words mean two opposite things. That is ironic. Irony can be funny but not everything funny is irony.
What you think it means: A tragedy or something unfortunate.
What it really means: A mockery or parody.
This is another one that people have wrong fairly frequently. You’ve heard people call 9/11 a travesty. Truth be told 9/11 was a tragedy. A travesty is actually a mockery or a parody. One might say that a Weird Al Yankovic album is a travesty. With how often this word is associated with tragedy, we wouldn’t be shocked if that definition were eventually added as an acceptable meaning. Until then, it doesn’t mean anything bad happened.
What you think it means: The one, the only. The best.
What it really means: The last item of a list.
Some people do actually use this one properly. You may see someone list off a bunch of things and hear them say, “Okay, at the store we need eggs, milk, juice, and ultimately, butter.” That is actually the proper use of ultimate. There is no other context or added context. It simply means the last one.
What you think it means: To have a conversation.
What it really means: Nothing.
Conversate actually doesn’t exist and I’ll prove it to you. Go into a program that underlines words with red if they’re spelled wrong. Now type out conversate. Did you see the red line? Conversate was meant to be a mixture of conversation and converse and be used as a verb. However, converse is a verb and there really isn’t a need for a second verb to describe the same action.
What you think it means: To skim or browse.
What it really means: To observe in depth.
When you peruse something, you are actually taking a very close look at it. When you’re at a record store (remember those?) and you’re just running through a stack of records, you are just browsing. If you pick up a record and look at the artist, track list, and additional information on the back, then your are perusing.
What you think it means: Amused.
What it really means: Confused.
This is one of the many words on this list that will make you strongly dislike the English language. Despite looking all but identical to the word amused, bemused doesn’t even come close to meaning the same thing. If you are bemused then you are actually confused.
What you think it means: To do something voluntarily by choice.
What it really means: To be forced or obligated to doing something.
This is one that people get wrong and it’s rather understandable. The real definition is very close to the definition people generally use. The difference is the motivation. When people say compelled, they think the person wants to perform the action. In fact, they are forced to do it regardless of their personal feelings. Here’s an example. When you’re in court, you are compelled to give honest testimony. You may not want to, but it doesn’t matter because you have to.
What you think it means: To feel ill.
What it really means: To cause feelings of illness.
This is another understandable mishap that a lot of people make. If you actually feel sick then you are nauseated. The object that made you feel ill is nauseous. Here’s how this works. If you’re at an amusement park and you’re sitting next to a full trash can, the fumes from the trash may make you feel ill. That means the fumes from the trash can are nauseous because they are making you feel nauseated.
What you think it means: Repetitive.
What it really means: Unnecessarily excessive.
This one is tough because you can use it wrong but unintentionally use it right. When you repeat something a bunch of times, it can become redundant, but redundant expands far beyond just repeating things over and over. A popular thing companies are doing now is firing people but instead of calling it “getting fired,” they call it “eliminating redundancies.” The premise being that the employee they’re firing is unnecessary and excessive and they are thus eliminating them. In pretty much any scenario where there is simply too much of something, it is redundant.
What you think it means: Huge, enormous.
What it really means: Profoundly immoral or evil.
Don’t beat yourself up over this one because no one knows this one off the top of their head. Enormity sounds like enormous and as with many of our other examples, here we expect words that sound alike to have similar meanings. Enormity simply means really evil. An example of how to use it is the following: “The enormity of the crimes committed by the Nazis in World War II.” It doesn’t mean the enormous crimes, it means the heinous crimes.
What you think it means: Fantastic, good.
What it really means: Horrific, to inspire fear.
This is another one that we expect will be changed in the dictionary eventually because barely anyone uses the real meaning anymore. When people say they feel terrific, they mean to say they feel fantastic. An example of something terrific is King Kong. You see a giant monster and it inspires fear. We’re going to loop awesome in with this one too. Awesome simply means to inspire awe and people often use it to describe something really good.
What you may think it means: To cause something to change.
What it really means: An event that causes a change.
A lot of people staunchly defend the wrong definition of this and it’s understandable. When action A causes a change in object B, action A affected object B and object B has been affected. Effect is an event that causes a change. In our prior example, action A is, in and of itself, an effect because it affects things. It’s admittedly confusing to explain but easy to remember. If it’s a noun, it’s an effect. If it’s a verb, it’s an affect.
What you think it means: Bored.
What it really means: Neutral.
A good way to remember this one is that there is a word that means bored and it’s uninterested. If you’re uninterested, you’re bored. Being disinterested is the long-form equivalent of stating that you don’t care about something.
What you think it means: Without regard.
What it really means: Nothing.
Like conversate above, irregardless isn’t actually a word. When people say irregardless, they actually mean to say regardless. Regardless means without regard. Irregardless has been used so often that it actually is in the dictionary now and that’s kind of sad. Even though it is technically there, there are a large number of people who don’t consider it a word. You can save yourself a couple of keystrokes and a tongue lashing by just using regardless.
What you think it means: Severe.
What it really means: Over the course of a long time.
This is definitely one that people ought to know better. When you have severe pain, it is just severe pain. If you have chronic pain, you have been in pain for a long, long time. Chronic conditions and diseases are called chronic because they won’t go away and not because they’re overly severe.
What you think it means: For example.
What it really means: In other words.
This is one among a number of shortened words that confuse people. Here’s a quick guide on how to use them. Et cetera is etc., example is ex. or e.g., and in other words is i.e. When you use i.e. you’re essentially putting it there to let people know that you’re going to be stating the same information in different words. Here’s how it really works. It’s June and I moved into my new apartment in April, i.e., two months ago.
What you think it means: To destroy or annihilate
What it really means: To destroy ten percent.
This one is really goofy and one day this won’t be true. For the time being, decimate actually means removing only ten percent of something. If you know a little bit about words it’s not difficult to figure out. The prefix “dec” means ten. However, the traditional definition of this word is antiquated and it’ll probably be changed eventually. Until then, it’s technically correct to use a word like exterminate or annihilate instead.
What you think it means: A cure.
What it really means: A cure for a lot of things.
This one is easy to confuse because the explanation is virtually the same even if the definitions are vastly different. A panacea is something that cures a lot of things all at once. For instance, penicillin is a panacea. It cures a bunch of diseases. The flu vaccine is not a panacea because it only protects against the flu.
What you think it means: Lucky.
What it really means: By chance.
There is a difference between luck and chance. Unfortunately, people use the two interchangeably, so much so that it’s difficult to explain the differences anymore. Lucky is an event that happens by chance that can be described as fortunate. Winning the lottery is lucky. Fortuitous means simply by chance. For instance if you drop your basketball and it bounces into the road and gets hit by a car, that’s a fortuitous instance. It’s neutral, so it can be good or bad things that happen by chance.
What you think it means: A lot of something.
What it really means: More than is needed.
This is one I use incorrectly all the time. In fact, I almost used it a couple of times in this very article. Plethora simply means that there is more of something than is needed. For instance, you may think that 5,000 people is a plethora of people. However, when you put them into a hockey arena that seats 13,000 people, it’s actually less than half capacity and therefore not a plethora. If you had 13,500 people in that same arena, that would be a plethora of people.
Total means exactly what you think it means but total is used unnecessarily on a frequent basis. When there is a total of 50 people who do something, the total is 50 whether or not you use the word “total.” Or you might hear someone say that they were totally surprised. Surprise is not a conditional emotion. You were either surprised or not. The use of total didn’t add anything of value to the sentence. In most cases, the definition is correct but using the word is repetitive when put in context with the rest of the sentence.
What you think it means: Figuratively.
What it really means: Actually.
This is something that has come about relatively recently and my generation may have helped propagate this one. Literally means actually. When something is literally true, it is actually true. If I haven’t seen my friend in literally five years then I actually haven’t seen them in five years. People use literally along with hyperbole to show an emotion: “I haven’t had Chinese food in literally a million years.” This is meant to denote that the person hasn’t had Chinese food in a while. The word those people actually want is figuratively. They figuratively haven’t had Chinese food in a million years. They probably literally hadn’t had it in a few days or weeks.
What you think it means: What is permissible.
What it really means: What is possible.
This is one you have to nip in the bud in childhood because it’s much harder to correct in adulthood. When you can do something, you have capacity within you to perform that action regardless of whether or not you actually do it. I can bang my head into my desk but I absolutely will not do it. When people use can incorrectly it is because they mean to use the word “may.” When you ask someone if they can open the door, you did not ask them to open the door. You asked them if they were capable of opening the door. If you wish for them to perform the task, you should ask if they will open the door. When you ask if you can have something, you’re not asking someone to give it to you. You’re asking if you have the capacity to own it. If you need something, ask if you may have it.
What you think it means: That something is broken or missing pieces.
What it really means: Simply that it’s broken.
You’ll see this one a lot in Amazon reviews. People will say that their unit came defective because it was missing a screw or pieces in the box. That’s actually incorrect. What they mean to say is that their product is deficient. It’s missing pieces, it is not actually broken. The machine may work perfectly fine once the missing pieces have been re-added, which means that it actually isn’t defective at all.
What you think it means: Old, out of date.
What it really means: Not produced, used, or needed.
You’ll see this one in the tech industry a lot. People in tech article comments will comment that a phone is obsolete when they really mean that it’s out of date. The literal definition of obsolete is an item that it isn’t produced, needed, or used anymore. An example of this is is the steam engine. It’s largely inefficient compared to today’s combustion engine and even more inefficient than the emerging electric engines. Thus, steam engines are not used, produced, or needed anymore. Yes, they are also old and out of date, but obsolete is kind of the next step after old and out of date.
The English language is a finicky one but it’s also ever changing. Words are updated and definitions change. New words are added every year and some are retired. Very few people will ever master the entire language and the rest of us will just have to do the best we can!
June 17, 2014
May 8, 2014
Some of my friends are going to cry, “foul!”
Yes, it’s true. I’m not a fan of lists.
But when the list is derived from Ernest Hemingway, 1954 winner of the Nobel Prize in Literature and author of books such as The Old Man and the Sea, For Whom the Bell Tolls, and A Farewell to Arms, I will pay attention. Here is Hemingway’s bibliography.
Author Larry W. Phillips analysed Hemingway’s opinions and advice on writing from his various essays, passages and writings, and compiled them into a book, Ernest Hemingway on Writing.
The original source of the list below is from Open Culture. They selected seven of their favourite quotations from Ernest Hemingway on Writing and together with their own commentary, derived this list. Most interesting.
1: To get started, write one true sentence.
Hemingway had a simple trick for overcoming writer’s block. In a memorable passage in A Moveable Feast, he writes:
Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, “Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.” So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written.
2: Always stop for the day while you still know what will happen next.
There is a difference between stopping and foundering. To make steady progress, having a daily word-count quota was far less important to Hemingway than making sure he never emptied the well of his imagination. In an October 1935 article in Esquire ( “Monologue to the Maestro: A High Seas Letter”) Hemingway offers this advice to a young writer:
The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.
3: Never think about the story when you’re not working.
Building on his previous advice, Hemingway says never to think about a story you are working on before you begin again the next day. “That way your subconscious will work on it all the time,” he writes in theEsquire piece. “But if you think about it consciously or worry about it you will kill it and your brain will be tired before you start.” He goes into more detail in A Moveable Feast:
When I was writing, it was necessary for me to read after I had written. If you kept thinking about it, you would lose the thing you were writing before you could go on with it the next day. It was necessary to get exercise, to be tired in the body, and it was very good to make love with whom you loved. That was better than anything. But afterwards, when you were empty, it was necessary to read in order not to think or worry about your work until you could do it again. I had learned already never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.
4: When it’s time to work again, always start by reading what you’ve written so far.
T0 maintain continuity, Hemingway made a habit of reading over what he had already written before going further. In the 1935 Esquire article, he writes:
The best way is to read it all every day from the start, correcting as you go along, then go on from where you stopped the day before. When it gets so long that you can’t do this every day read back two or three chapters each day; then each week read it all from the start. That’s how you make it all of one piece.
5: Don’t describe an emotion–make it.
Close observation of life is critical to good writing, said Hemingway. The key is to not only watch and listen closely to external events, but to also notice any emotion stirred in you by the events and then trace back and identify precisely what it was that caused the emotion. If you can identify the concrete action or sensation that caused the emotion and present it accurately and fully rounded in your story, your readers should feel the same emotion. In Death in the Afternoon, Hemingway writes about his early struggle to master this:
I was trying to write then and I found the greatest difficulty, aside from knowing truly what you really felt, rather than what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things were which produced the emotion that you experienced. In writing for a newspaper you told what happened and, with one trick and another, you communicated the emotion aided by the element of timeliness which gives a certain emotion to any account of something that has happened on that day; but the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or in ten years or, with luck and if you stated it purely enough, always, was beyond me and I was working very hard to get it.
6: Use a pencil.
Hemingway often used a typewriter when composing letters or magazine pieces, but for serious work he preferred a pencil. In the Esquire article (which shows signs of having been written on a typewriter) Hemingway says:
When you start to write you get all the kick and the reader gets none. So you might as well use a typewriter because it is that much easier and you enjoy it that much more. After you learn to write your whole object is to convey everything, every sensation, sight, feeling, place and emotion to the reader. To do this you have to work over what you write. If you write with a pencil you get three different sights at it to see if the reader is getting what you want him to. First when you read it over; then when it is typed you get another chance to improve it, and again in the proof. Writing it first in pencil gives you one-third more chance to improve it. That is .333 which is a damned good average for a hitter. It also keeps it fluid longer so you can better it easier.
7: Be Brief.
Hemingway was contemptuous of writers who, as he put it, “never learned how to say no to a typewriter.” In a 1945 letter to his editor, Maxwell Perkins, Hemingway writes:
It wasn’t by accident that the Gettysburg address was so short. The laws of prose writing are as immutable as those of flight, of mathematics, of physics.
Source of list: http://www.openculture.com/2013/02/seven_tips_from_ernest_hemingway_on_how_to_write_fiction.html